By morphing velocity layers, the engine generates new velocities and samples. It’s a vintage 1928 Steinway Grand Piano, and what makes it unique is 8dio’s Velocity Morphing. I’ve only looked at the free piano so far, which is well worth checking out. If it’s as flexible as 8dio suggests, it could be very interesting. To find out if it really is easier, faster, and better than the rest, we’d probably have to add more instruments and get into the more advanced sound design capabilities.įor example, Soundpaint allows you to take up to four sounds, morph them together, and dictate which sound has the most dominant characteristics. However, at first sight, it’s not drastically different from things we have seen before. The GUI is definitely intuitive, and its modular design makes it easy to understand what’s going on, from sound generators to modifiers and effects, etc. In other words, combining their advanced knowledge of sampling with a highly intuitive interface. The point of Soundpaint is to create a blank canvas, where you are limited by nothing but your imagination. 8dio, who teamed up with Sequential for the Prophet X, are masters when it comes to deep sampling.
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